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  • Issue 2 - December 2017

    “it’s sort of a backwards process—usually the editorial is meant to set the programme not question it. We begin with a simple invitation to someone or some group—artists that we are interested in or exhibitions that we want to know more about. We think of them as collaborators and start a conversation about how they might participate. We don’t prescribe a theme or narrative.”
    Marc Asekhame in conversation with Matthew Hanson

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