Mousse / 85

Mousse #85 – Fall 2023

 

A HYPOTHESIS OF RESISTANCE—PART FIVE: AN ESSAY ON DURATION

Cally Spooner 

 

Survey

DONALD RODNEY

(A) Things Arrive Together as Suffused and Inseparable

Jared Das, Carolyn Lazard, and Robert Leckie

(B) Looking for Eldorado: Donald Rodney’s Early Sketchbooks

Janice Cheddie

 

Fiction

PAREIDOLIA

Emily LaBarge 

 

Monograph

IVAN CHENG

Performance Society: Ivan Cheng

Mitchell Anderson

 

Monograph

NILOUFAR EMAMIFAR

Fast Fish, Loose Fish

Niloufar Emamifar, Dora Budor

 

Thinkers 

ON SUSAN STRYKER AND TRANS SANFRISCO 

McKenzie Wark 

 

Reprint

THE WAR OF DESIRE AND TECHNOLOGY AT THE CLOSE OF THE MECHANICAL AGE 

Allucquère Rosanne “Sandy” Stone

David Joselit 

 

Curators

MANIFESTO ON NEIGHBORLY DISLIKE AS CURATORIAL CRITIQUE

Clémentine Deliss

 

Criticism

PLATFORMING SOMEONE TERRIBLE 

MYSTI 

Kerstin Stakemeier

 

Tidbits

Suneil Sanzgiri by Harry Burke

Theodora Skipitares by Felix Bernstein

Noor Abed by Amy Jones

Adriana Ramić by Melanie Bühler 

Ang Ziqi Zhang by Moritz Scheper

 

Visual 

GUADALUPE ROSALES

Map Points, 2015–ongoing

Guadalupe Rosales, Rita Gonzalez

Opinions 

JUST WHEN THE CATERPILLAR THOUGHT THE WORLD WAS OVER, IT BECAME A BUTTERFLY (PART I)

Chus Martínez 

Books 

Jackie Wang 

 

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Mousse is a contemporary art magazine, made of interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of feature columns. Mousse is peculiarly printed as a newspaper and bound as a magazine. Mousse keeps tabs on international trends in contemporary culture around the world.